Flann O’Brien, and a picture
Dubbed part of the holy trinity of modern Irish lit – alongside Joyce and Beckett – Flann O’Brien’s (born Brian O’Nolan) piece of mastery At Swim-Two-Birds is a must must must (etc) read for one and all. Joyce and Beckett had super smart senses of funny, but O’Brien is of the laugh-your-guts-sore sorts. To the extent that I’d suggest to read him in private. No kidding. Further differences may be generalized as such: I recognize Joyce as one of the acmes of modernism, while Beckett I think is a key to a bridge between modernism and post-modernism, but of the three, O’Brien has his foot the furthest into the post-modern sensibility with his cobbled-meta-fiction and light yet somehow still dark humor that would later become so predominant with the late-post-mod-literature-of-exhaustion satirical writers like Barth, Vonnegut, and suchlike…
So, read O’Brien.
Oh, nearly forgot, the initial inspiration for this post was that when I read At Swim-Two-Birds Joseph Koudelka’s (w/ Magnum) work came to mind, this very special indeed image especially,
photo: “Czechoslovakia, 1960.” ©Joseph Koudelka/Magnum, 2008.
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