I know nothing about him except given the date on this work he must be relatively young.  I heart the paper negs.  Maybe there’s an aspect of only on the surface to his work that borders on the cliche, but maybe this isn’t as much a criticism of his work as much as my ability to take it in in it’s internet form, diluted that is.  I like it though b/c you can see an honest attempt to strum at some deep chord, rescuing some recessed moldy part of the memory where the dream and the history condense like a fog of obscure, primitive knowledge.

photo: Striped collar, Autumn 2002. © Edward Dimsdale.

photo: Road, East of England. © Edward Dimsdale.