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	<title>Comments on: Discussion on breaking into editorial fashion photography</title>
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		<title>By: nigel</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-21826</link>
		<dc:creator>nigel</dc:creator>
		<pubDate>Thu, 09 Sep 2010 17:14:52 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-21826</guid>
		<description>Actually Graeme, how do you fund your personal shoots? do you try and sell these pics to magazines? Are you with an agency? how&#039;d you get in with them and can they actuallly supply you with work, or are you going out finding it yourself? Thanks, i&#039;m really diggn your blog, you&#039;ve got some groovy stuff.</description>
		<content:encoded><![CDATA[<p>Actually Graeme, how do you fund your personal shoots? do you try and sell these pics to magazines? Are you with an agency? how&#8217;d you get in with them and can they actuallly supply you with work, or are you going out finding it yourself? Thanks, i&#8217;m really diggn your blog, you&#8217;ve got some groovy stuff.</p>
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		<title>By: nigel</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-21824</link>
		<dc:creator>nigel</dc:creator>
		<pubDate>Thu, 09 Sep 2010 16:38:59 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-21824</guid>
		<description>thanx Graem! inspired me to get off my ass...</description>
		<content:encoded><![CDATA[<p>thanx Graem! inspired me to get off my ass&#8230;</p>
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		<title>By: Web site of the state - State web - Ms site state web</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-21580</link>
		<dc:creator>Web site of the state - State web - Ms site state web</dc:creator>
		<pubDate>Sun, 15 Aug 2010 00:49:46 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-21580</guid>
		<description>[...] Graeme Mitchell Photography &#124; Blog 7 Apr 2009. Discussion on breaking into editorial fashion photography.. Pingback by Graeme Mitchell Photography &#124; Blog — April 12, 2009 @ 12:51 am. Meisel had the 80s to shoot weird, ego driven location stories and strange Graeme Mitchell Photography &#124; Blog [...]</description>
		<content:encoded><![CDATA[<p>[...] Graeme Mitchell Photography | Blog 7 Apr 2009. Discussion on breaking into editorial fashion photography.. Pingback by Graeme Mitchell Photography | Blog — April 12, 2009 @ 12:51 am. Meisel had the 80s to shoot weird, ego driven location stories and strange Graeme Mitchell Photography | Blog [...]</p>
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		<title>By: Amy</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-17559</link>
		<dc:creator>Amy</dc:creator>
		<pubDate>Wed, 20 Jan 2010 02:36:10 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-17559</guid>
		<description>I was just thinking to come here and discuss Chadwick&#039;s work and I find it&#039;s all about him. I don&#039;t like his pictures, but I recognize them for being quite good. Let&#039;s compare his pictures to that of his mentor Paul Rowland. Both employ similar moods. Paul has all the cash in the world, all the top models, he&#039;s got the biggest studio at the pier, sets, lights, time, everything, and his pictures still provoke little respect/admiration in the industry. Chadwick, on the other hand, doesn&#039;t have much, but he&#039;s got people going after him in every direction. That&#039;s provocation! Chadwick&#039;s got something.  I don&#039;t think all his position are particularly smart, but I think Chadwick&#039;s good. He&#039;s turning out spirited work that&#039;s better than a lot of big money portfolios. I wouldn&#039;t hire him because he rubs me the wrong way, but he gets my props.

On the subject of the camera Chadwick uses, John Jaravata, I suppose you&#039;ve found that special axe that makes you unique, huh? Were you that guy who was against Hasselblads in the pre digital days? What a joke. Thanks for making my night. 

Almost in closing, this is a very telling comments section. Nobody has anything to say about Josh or Sebastian. These two excellent craftsmen are air-tight. What is there to say really? I think people see these guys as having popped out of the womb fully formed, and no one really roots for them because of this. Meisel had the 80s to shoot weird, ego driven location stories and strange seamless work, all with low production values, before he was the top. No such fascinating progression in the new kids club. That goes for Chat Pitman, too, though his angle isn&#039;t quite as historically slick and hungry. 

What is it about Chad Pitman that makes him seem like the powderpuff of this group? He&#039;s like the dreamer not the striver. The other guys wear their ambition on their sleeves. 

Benjamin A. Huseby doesn&#039;t belong in this line-up, so there&#039;s nothing to say. He&#039;s probably a Nikon guy, right John Jaravata! Just kidding.</description>
		<content:encoded><![CDATA[<p>I was just thinking to come here and discuss Chadwick&#8217;s work and I find it&#8217;s all about him. I don&#8217;t like his pictures, but I recognize them for being quite good. Let&#8217;s compare his pictures to that of his mentor Paul Rowland. Both employ similar moods. Paul has all the cash in the world, all the top models, he&#8217;s got the biggest studio at the pier, sets, lights, time, everything, and his pictures still provoke little respect/admiration in the industry. Chadwick, on the other hand, doesn&#8217;t have much, but he&#8217;s got people going after him in every direction. That&#8217;s provocation! Chadwick&#8217;s got something.  I don&#8217;t think all his position are particularly smart, but I think Chadwick&#8217;s good. He&#8217;s turning out spirited work that&#8217;s better than a lot of big money portfolios. I wouldn&#8217;t hire him because he rubs me the wrong way, but he gets my props.</p>
<p>On the subject of the camera Chadwick uses, John Jaravata, I suppose you&#8217;ve found that special axe that makes you unique, huh? Were you that guy who was against Hasselblads in the pre digital days? What a joke. Thanks for making my night. </p>
<p>Almost in closing, this is a very telling comments section. Nobody has anything to say about Josh or Sebastian. These two excellent craftsmen are air-tight. What is there to say really? I think people see these guys as having popped out of the womb fully formed, and no one really roots for them because of this. Meisel had the 80s to shoot weird, ego driven location stories and strange seamless work, all with low production values, before he was the top. No such fascinating progression in the new kids club. That goes for Chat Pitman, too, though his angle isn&#8217;t quite as historically slick and hungry. </p>
<p>What is it about Chad Pitman that makes him seem like the powderpuff of this group? He&#8217;s like the dreamer not the striver. The other guys wear their ambition on their sleeves. </p>
<p>Benjamin A. Huseby doesn&#8217;t belong in this line-up, so there&#8217;s nothing to say. He&#8217;s probably a Nikon guy, right John Jaravata! Just kidding.</p>
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		<title>By: Hugh O'malley</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-12519</link>
		<dc:creator>Hugh O'malley</dc:creator>
		<pubDate>Thu, 16 Jul 2009 16:37:34 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-12519</guid>
		<description>As a london based fashion photographer I agree with much of what&#039;s said here, there is no easy route into getting published in fashion photography but I would like to think if your work is of a high enough calibre and you are sufficiently proactive and self motivated then the rewards will come.</description>
		<content:encoded><![CDATA[<p>As a london based fashion photographer I agree with much of what&#8217;s said here, there is no easy route into getting published in fashion photography but I would like to think if your work is of a high enough calibre and you are sufficiently proactive and self motivated then the rewards will come.</p>
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		<title>By: admin</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-8973</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sun, 12 Apr 2009 14:21:34 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-8973</guid>
		<description>John, I have absolutely no preference on how someone shoots or what with.  

If you can translate that distaste in his process to an argument against his end-product, then we have a discussion.</description>
		<content:encoded><![CDATA[<p>John, I have absolutely no preference on how someone shoots or what with.  </p>
<p>If you can translate that distaste in his process to an argument against his end-product, then we have a discussion.</p>
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		<title>By: John Jaravata</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-8958</link>
		<dc:creator>John Jaravata</dc:creator>
		<pubDate>Sun, 12 Apr 2009 07:20:20 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-8958</guid>
		<description>Chadwick Tyler? You mean 5D digital photoshop filter guy? hmmmm. Does he really belong with Sebastian Kim and Josh Olins? What a JOKE!</description>
		<content:encoded><![CDATA[<p>Chadwick Tyler? You mean 5D digital photoshop filter guy? hmmmm. Does he really belong with Sebastian Kim and Josh Olins? What a JOKE!</p>
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		<title>By: Graeme Mitchell Photography &#124; Blog</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-8953</link>
		<dc:creator>Graeme Mitchell Photography &#124; Blog</dc:creator>
		<pubDate>Sun, 12 Apr 2009 05:51:34 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-8953</guid>
		<description>[...] Read more from the original source: Graeme Mitchell Photography &#124; Blog [...]</description>
		<content:encoded><![CDATA[<p>[...] Read more from the original source: Graeme Mitchell Photography | Blog [...]</p>
]]></content:encoded>
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		<title>By: DavidLang</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-8897</link>
		<dc:creator>DavidLang</dc:creator>
		<pubDate>Sat, 11 Apr 2009 03:30:00 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-8897</guid>
		<description>Love, love Chadwick Tyler&#039;s style.</description>
		<content:encoded><![CDATA[<p>Love, love Chadwick Tyler&#8217;s style.</p>
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		<title>By: Heather C.</title>
		<link>http://graememitchell.com/blog/discussion-on-breaking-into-editorial-fashion-photography/comment-page-1#comment-8759</link>
		<dc:creator>Heather C.</dc:creator>
		<pubDate>Wed, 08 Apr 2009 01:38:12 +0000</pubDate>
		<guid isPermaLink="false">http://graememitchell.com/blog/?p=3535#comment-8759</guid>
		<description>Thanks for your help. Sometimes I&#039;m not really sure if I am asking for knowledge or more creative reinforcement/support. It worked!</description>
		<content:encoded><![CDATA[<p>Thanks for your help. Sometimes I&#8217;m not really sure if I am asking for knowledge or more creative reinforcement/support. It worked!</p>
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