Recently I shared a new series of photographs called Occurrences. This is the newsprint edition. There are 1,000 copies of this.
It’s approx 11×14.” 56 pages.
Email if you would like one, $8 signed and shipped in the US.
They should also be available at Dashwood Books in NYC.
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
I was in Cologne speaking at Photokina for Kodak w/ Cole Barash and Lauren Dukoff.
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: ©Graeme Mitchell
photo: Twenty Nine Palms, California, 2010. ©Graeme Mitchell
Speaking of Twenty Nine Palms. A really great great great photograph by An-My Lê was taken at the marine base there. It’s in the MOMA collection.
photo: 29 Palms: Mortar Impact ©2010 An-My Lê
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Od’ und leer das Meer.-from T.S. Eliot’s The Waste Land
photo: Happy Valley, OR. 2010. ©Graeme Mitchell
photo: Happy Valley, OR. 2010. ©Graeme Mitchell
photo: Happy Valley, OR. 2010. ©Graeme Mitchell
photo: Happy Valley, OR. 2010. ©Graeme Mitchell
The actress, Emily VanCamp.
photo: Emily VanCamp, St. Barts, Feb 09. © Graeme Mitchell.
Got to shoot in St. Barts for 5 day, a friend’s wedding. Amazing time.
Also read Beckett and chain smoked on the beach. No, not Camus, but still…
yay
Then to London for some of their fashion week parties, meetings with mags. Tried to spend time on the street shooting, but the streets of that city: stoic (read, snore), so I began to wonder if there ever was a seminal London street photographer? Other than the bit of work Robert Frank did (in Wales?), but I couldn’t think of anyone…? Anyone?
photo: from the book Robert Frank: London/Wales, © Robert Frank.
Then home, I hit Penn station out of Newark on Monday eve rush hour and the train station was like firecrackers going off everyplace, felt remarkable to be back in the crazy. Never satiated with that, never ever. Gluttonous for the madness.
IN THE STATION METRO
By Ezra Pound
The apparition of these faces in the crowd;
Petals on a wet, black bough.
(That’s a well known imagest poem that was part of a one of the more short lived art movements dubbed, Vorticism, which also had it proponents in photography. The photography bit. though ambitious in theory, was to not such great effect I think. The best part was what it was called, Vortography, which would not be, I imagine, an easy moniker to live up to…yeah, in retrospect, the name may have been the origin of the movements failing.
photo: Vortograph by Alvin Langdon Coburn
).
Update, I just confirmed a job on the W. Coast for next week, fly out today, so I’ll be gone again for a week…maybe two. The blog goes neglected again. Golly.
I guess in the meantime, cruise to the newsstands and take a look at Katie Grand’s (formerly the force behind POP) new mag, LOVE. Maybe not amazing yet, but most certainly promising.
photo: cover of first issue of LOVE magazine, Beth Ditto, photo by Mert and Marcus.
That or – going back to Beckett – read his trilogy if you haven’t. I’d tried twice and never made it much further than Molloy, but I guess I’ve come to a place where I can read it and be absorbed by it, absorbed. Someone said once, I forget who, that you really can’t read/enjoy/understand the greats until you yourself have lived for awhile, lived the things that the books are about. Not that I’m old and wise, gawdnoiamnot, but suddenly the long long winded Russians seem exciting and Molly Bloom’s soliloquy at the close of Ulysses seems, uhhh, doable. I do hope by my 40s I’ll be able to get to Finnegan’s Wake, and even develop the patience for poetry.
[...]you must go on, I can’t go on, you must go on, I’ll go on, you must say words, as long as there are any, until they find me, until they say me, strange pain, strange sin, you must go on, perhaps it’s done already, perhaps they have said me already, perhaps they have caried me to the threshold of my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don’t know, I’ll never know, in the silence you don’t know, you must go on, I can’t go on, I’ll go on.
-from The Unnamable by Samuel Beckett
That takes me to a different world. Yes it does.
If you drive fast straight east from Portland for approximately 3 hours you’ll pass within about 9 miles of this place. It’s the kind of place that conjures absolutely nothing in the imagination. It’s a desert of sorts.
“Human existence being an hallucination containing in itself the secondary hallucination of day and night (the latter an insanitary condition of the atmosphere due to accretions of black air) it ill becomes any man of sense to be concerned at the illusory approach of the supreme hallucination known as death. -DE SELBY”
Epigraph from The Third Policeman by Flann O’Brien.
photo: Umatilla, OR. © Graeme Mitchell 2008
photo: A Road to a Prison, Umatilla, OR. © Graeme Mitchell 2008