Brother(s)

There has never been any reluctance in sharing personal thoughts here; the pathos, the bathos, neither go unnoticed by me…ever. And, yes, I’m aware of perception, acutely, but, well, an old arbiter once spoke to me at a very appropriate time saying, this ain’t no dress rehearsal, and being in agreement with that, why fake coy?

Still, with that even, this particular post is, how should I say…more in earnest than usual.

I approach it wary. Very wary.

It’s about my youngest kid brother, Ian, and his misfortune, his tripping on that unseen and ubiquitous crack in the sidewalk and finding on the other side a rabbit hole to tumble down, to be consumed by… To shambles. To disarray. Know that my heart clamors. My mind grits. B/c even Alice was guilty of curiosity. She sought. She was asking for it. Ian didn’t ask for anything. Ian really just had some terrible awful horrible luck. Moreover, and unfortunately, unlike Alice, Ian isn’t dreaming…

We are all excruciatingly awake.

Wary, very wary.


photo: Ian Mitchell, Dec 2007. ©Graeme Mitchell, 2007


photo: Ian Mitchell, Dec 2007. ©Graeme Mitchell, 2007

The reason this is hard for me to talk about is b/c I simply don’t know what to say. There aren’t words for it. Or if there are words they are many; they are a book; they are a treatise; they are probably not mine; no; probably they’re words of poets… And I hate speaking when it’s gratuitous. I hate speaking when I know what I say will not be enough…not nearly enough.

It occurred to me just now that expression is the string of a belief cut into a hundred pieces and then spun into an endless knot of folly.

Or what I might say right now could be laconic and without compassion, perfectly pragmatic and utterly unfair. This is useful, but then what happens and what is said doesn’t matter at all… And things like this should matter. They should be made to matter.

So I’m left stuttering, and people I worry for are left ragged. Like all, they muster what can be mustered, what must be mustered… Still, it breaks my heart on a number of levels, and breaks it thoroughly.

My lips purse. My body purses. My heart purses… I shudder and shrink.

A thousand pieces spun into an endless knot of folly.

Sure, it’s going to work out in the long run. Scott, my other kid brother, reminds me of this, and when necessary, I remind him. Not much is said, never has been, never will be, b/c not much needs to be said. We understand one another. We grimace. We force laughter.

But I think we both have a distinct notion that nothing is laughing back.


photo: Scott Mitchell, Dec 2007. ©Graeme Mitchell, 2007


photo: Scott Mitchell, Dec 2007. ©Graeme Mitchell, 2007

So now all I can think to do is to hug my brother, Ian, pat him on the back, and take his portrait before his entire life is turned upside down and before he takes a deep breath to climb his way back out of that rabbit whole.

I envision Sisyphus.

I envision a void, perfect and very very simple. A child can’t see it, or sees past it – I don’t know – but older eyes, squinting, pleading, speak of it, scream into it…what remains is just whispers, infinite pieces spun into an infinite knot of folly…

After all, it is that which is ineffable.

This is all old news. The same stories are yellowing memories and mythologies predating our histories. Ian doesn’t know it, but he is a parable. If he learns this, he will be indestructible. In his shades fading, his outline will grow bolder. Bolder and bolder. He could, I believe, glow… I hope that he molds suffering, and that it doesn’t mold him.

But then these worries and hopes are all feeble, academic garnish, abstract fillings. Because I imagine a fixedness that is inscrutable, a trajectory that is singular…I said that he may be a boulder that we all risk breaking ourselves upon.

So portraits. Ha! All this shit and I bring to the table some platitudes and portraits…and here no less… Hope springs eternal for whatever the antonym of absurdity may be… But I’m growing more skeptical…and I fret as millions have fretted before, pacing those same vast halls, the halls cognition has kept sparse since antiquity.

Even so, I mean to rue nothing. Or am so inclined. And hope the same for my brother, my brothers.

These are portraits of my younger brothers and I.

Keep your chins up little brothers, because this will all roll off someday like a fog off a mirror, and know for now that you’re there whether the mirror reflects you or not.


photo: a picture of me taken by my brothers, Dec 2007. ©Graeme Mitchell, 2007

Comments
3 Responses to “Brother(s)”
  1. Patrick A. says:

    I don’t know the story behind this, but I want you to know I think it’s amazing what you’ve posted here, the portraits and the writing.

    I wish your brother the best.

  2. Kelly says:

    I love this photo.

  3. Ruth says:

    ‘We are all excruciatingly awake.’
    &
    ‘It occurred to me just now that expression is the string of a belief cut into a hundred pieces and then spun into an endless knot of folly.’

    I think this last statement here… well, it’s still making its way and bumping off and sometimes through walls in my head. It’s beautiful. It’s perfect. Thank you for sharing this, so intimate, so honest, and then to tie it up tighter with the expression on your face mimicking the silent alarm, and internal struggle.

    Your words have in some way explained pieces of my own journey with alcoholism, sobriety and watching those I love become consumed. For whatever your brothers’ personal struggles, your personal struggle, good luck to all of you.